Man on the Moon - Sokool Remix by KlangKuenstler cover art

Man on the Moon - Sokool Remix

KlangKuenstler

30s preview

Key
4B · A♭ major
BPM
115
Open Key
9d
Energy
50/100
Pop
1/100
Length
6:41
Released
2014
Album
Man on the Moon
Genre
Deep House
Label
Play Elegent
Loudness
-12.9 dB
Dynamics
11.7 dB
ISRC
GBGNS1401221

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (6B at 119 BPM), this version runs 4 BPM slower and moves the key from 6B to 4B.

At 115 BPM in A♭ major (4B), Man on the Moon - Sokool Remix is a mid-tempo deep house production. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2014 production that still circulates in sets. Slower than 98% of KlangKuenstler's catalogue. For programming, treat it as a mid-set roller.

Energy:
calmer than 93% of KlangKuenstler's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy50
Mood31Dark
Groove80
Acoustic26
Instrumental72
Live9
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Man on the Moon - Sokool Remix in?

Man on the Moon - Sokool Remix by KlangKuenstler is in A♭ major, or 4B on the Camelot wheel.

What BPM is Man on the Moon - Sokool Remix?

Man on the Moon - Sokool Remix runs at 115 BPM, a mid-tempo track.

What mixes well with Man on the Moon - Sokool Remix?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is Man on the Moon - Sokool Remix good for peak time?

With energy 50 out of 100 at 115 BPM, it works best as a mid-set roller.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 115 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 115 — beatmatch without a big tempo pull.

More deep house

More from KlangKuenstler

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track