Translator (Sparrow & Barbossa remix)
30s preview
- BPM
- 128
- Open Key
- 3d
- Energy
- 91/100
- Pop
- 13/100
- Length
- 3:54
- Released
- 2024
- Genre
- Tech House
- Loudness
- -5.4 dB
- Dynamics
- 10.2 dB
- ISRC
- QM7282475845
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo tech house cut, Translator (Sparrow & Barbossa remix) sits in D major (10B) at 128 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Slower than 90% of Kino Todo's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 80% of Kino Todo's catalogue
- Brightness:
- brighter than 80% of Kino Todo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Translator (Sparrow & Barbossa remix) in?
Translator (Sparrow & Barbossa remix) by Kino Todo is in D major, or 10B on the Camelot wheel.
What BPM is Translator (Sparrow & Barbossa remix)?
Translator (Sparrow & Barbossa remix) runs at 128 BPM, a peak-time tempo track.
What mixes well with Translator (Sparrow & Barbossa remix)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Translator (Sparrow & Barbossa remix) good for peak time?
With energy 91 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 128 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Kino Todo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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