You're Looking Fine - Live
- BPM
- 103
- Open Key
- 5d
- Energy
- 96/100
- Pop
- 0/100
- Length
- 3:30
- Released
- 1968
- Album
- Live At Kelvin Hall (Bonus Track Edition - Reissue)
- Genre
- Techno
- Loudness
- -4.5 dB
- ISRC
- GBAJE0704836
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You're Looking Fineoriginal12B · 101
- You're Looking Fineoriginal7B · 112
- You're Looking Fine - Stereooriginal12B · 103
Against the original (12B at 101 BPM), this version runs 2 BPM faster in the same key.
You're Looking Fine - Live is a slow-groove tempo techno track in E major (12B) at 103 BPM. It is vocal-led. The master is loud and heavily compressed. A 1968 production that still circulates in sets. More underground than 99% of Kink's catalogue. In a set it works best as a mid-set roller.
- Energy:
- hotter than 96% of Kink's catalogue
- Brightness:
- darker than 80% of Kink's catalogue
- Tempo:
- slower than 79% of Kink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is You're Looking Fine - Live in?
You're Looking Fine - Live by Kink is in E major, or 12B on the Camelot wheel.
What BPM is You're Looking Fine - Live?
You're Looking Fine - Live runs at 103 BPM, a slow-groove tempo track.
What mixes well with You're Looking Fine - Live?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is You're Looking Fine - Live good for peak time?
With energy 96 out of 100 at 103 BPM, it works best as a mid-set roller.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 103 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 97-109 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 103 — beatmatch without a big tempo pull.
More techno
More from Kink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 103 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
