Shakin' That Thing by Kevin McKay cover art

Shakin' That Thing

Kevin McKay

Key
8A · A minor
BPM
126
Open Key
1m
Energy
95/100
Pop
20/100
Length
2:42
Released
2024
Genre
House
Loudness
-7.6 dB
ISRC
GBPQS2400164

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Shakin' That Thing runs 126 BPM in A minor (8A), a club-tempo house record. Hotter than 91% of Kevin McKay's catalogue. In a set it works best as a peak-time weapon.

Reach:
better known than 89% of Kevin McKay's catalogue
Groove:
less groove-driven than 85% of Kevin McKay's catalogue
Brightness:
brighter than 76% of Kevin McKay's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood83Bright
Groove74
Acoustic3
Instrumental40
Live9
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Shakin' That Thing in?

Shakin' That Thing by Kevin McKay is in A minor, or 8A on the Camelot wheel.

What BPM is Shakin' That Thing?

Shakin' That Thing runs at 126 BPM, a club-tempo track.

What mixes well with Shakin' That Thing?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Shakin' That Thing good for peak time?

With energy 95 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#TrackKey·BPM

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 126 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 95/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

More from Kevin McKay

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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