Kommen Zusammen (Circus Dub)
30s preview
- BPM
- 126
- Open Key
- 8m
- Energy
- 96/100
- Pop
- 9/100
- Length
- 6:09
- Released
- 2013
- Album
- Pure Intec 2 Mixed by Carl Cox & Jon Rundell
- Genre
- Techno
- Loudness
- -6.9 dB
- Dynamics
- 13.1 dB
- ISRC
- US6R21306737
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Kommen Zusammen - Yousef Reworkremix9A · 125
- Kommen Zusammen - Yousef Dub Mixversion9B · 125
- Kommen Zusammenoriginal11A · 125
- Kommen Zusammen - Joseph Capriati Remixremix3B · 125
- Kommen Zusammen (Nicole Moudaber Remix)remix1A · 126
Against the original (11A at 125 BPM), this version runs 1 BPM faster and moves the key from 11A to 3A.
At 126 BPM in B♭ minor (3A), Kommen Zusammen (Circus Dub) is a club-tempo techno production. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2013 production that still circulates in sets. Hotter than 85% of Carl Cox's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 77% of Carl Cox's catalogue
- Low end:
- more treble-tilted than 77% of Carl Cox's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Kommen Zusammen (Circus Dub) in?
Kommen Zusammen (Circus Dub) by Carl Cox is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Kommen Zusammen (Circus Dub)?
Kommen Zusammen (Circus Dub) runs at 126 BPM, a club-tempo track.
What mixes well with Kommen Zusammen (Circus Dub)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Kommen Zusammen (Circus Dub) good for peak time?
With energy 96 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 126 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Carl Cox
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
