My Old Friend Alan - Crates Motel Remaster
30s preview
- BPM
- 126
- Open Key
- 4m
- Energy
- 91/100
- Pop
- 6/100
- Length
- 7:49
- Released
- 2025
- Album
- My Old Friend Alan (Crates Motel Remaster)
- Genre
- Deep House
- Loudness
- -5.9 dB
- Dynamics
- 12.6 dB
- ISRC
- GBDGX2410401
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 126 BPM in F♯ minor (11A), My Old Friend Alan - Crates Motel Remaster is a club-tempo deep house production. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Hotter than 84% of Kerri Chandler's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 76% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is My Old Friend Alan - Crates Motel Remaster in?
My Old Friend Alan - Crates Motel Remaster by Kerri Chandler is in F♯ minor, or 11A on the Camelot wheel.
What BPM is My Old Friend Alan - Crates Motel Remaster?
My Old Friend Alan - Crates Motel Remaster runs at 126 BPM, a club-tempo track.
What mixes well with My Old Friend Alan - Crates Motel Remaster?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is My Old Friend Alan - Crates Motel Remaster good for peak time?
With energy 91 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 126 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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