I Never Knew Her
30s preview
- BPM
- 127
- Open Key
- 4d
- Energy
- 84/100
- Pop
- 0/100
- Length
- 6:51
- Released
- 2003
- Genre
- Deep House
- Loudness
- -10.9 dB
- Dynamics
- 13.9 dB
- ISRC
- USA670601785
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo deep house cut, I Never Knew Her sits in A major (11B) at 127 BPM. The feel is bright and euphoric. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2003 production that still circulates in sets. More underground than 99% of Kerri Chandler's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 96% of Kerri Chandler's catalogue
- Tempo:
- faster than 90% of Kerri Chandler's catalogue
- Groove:
- less groove-driven than 88% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is I Never Knew Her in?
I Never Knew Her by Kerri Chandler is in A major, or 11B on the Camelot wheel.
What BPM is I Never Knew Her?
I Never Knew Her runs at 127 BPM, a peak-time tempo track.
What mixes well with I Never Knew Her?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is I Never Knew Her good for peak time?
With energy 84 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 127 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More deep house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.