
Escravos De Jo - Robust Horns
- BPM
- 119
- Open Key
- 8m
- Energy
- 88/100
- Pop
- 3/100
- Length
- 7:24
- Released
- 1996
- Album
- Escravos De Jo
- Genre
- Deep House
- Loudness
- -5.3 dB
- ISRC
- USPXA1000061
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Escravos De Jo - Acoustic Mixoriginal3A · 119
- Escravos De Jo - Bahian Breezeoriginal3A · 119
- Escravos De Jo - The Rio Dubversion3A · 119
- Escravos De Jo - Bonus Beatsoriginal3B · 119
- Escravos De Jo - Demo Dubversion3A · 119
- Escravos De Jo - Organic Vibesoriginal4A · 119
At 119 BPM in B♭ minor (3A), Escravos De Jo - Robust Horns is a club-tempo deep house production. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. A 1996 production that still circulates in sets. Slower than 99% of Kerri Chandler's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 91% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Escravos De Jo - Robust Horns in?
Escravos De Jo - Robust Horns by Kerri Chandler is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Escravos De Jo - Robust Horns?
Escravos De Jo - Robust Horns runs at 119 BPM, a club-tempo track.
What mixes well with Escravos De Jo - Robust Horns?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Escravos De Jo - Robust Horns good for peak time?
With energy 88 out of 100 at 119 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 119 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 112-126 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 119 — beatmatch without a big tempo pull.
More deep house
More from Kerri Chandler
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 119 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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