Warface by Kanine cover art

Warface

Kanine

30s preview

Key
3B · D♭ major
BPM
175
Half-time
88
Open Key
8d
Energy
97/100
Pop
5/100
Length
4:24
Released
2017
Genre
Drum N Bass
Loudness
0.3 dB
Dynamics
10.7 dB
ISRC
GB8KE1651942

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 175 BPM in D♭ major (3B), Warface is a drum n bass production. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The master is loud and heavily compressed. A 2017 production that still circulates in sets. Brighter than 97% of Kanine's catalogue. In a set it works best as a floor-filler.

Low end:
more treble-tilted than 84% of Kanine's catalogue
Groove:
groovier than 81% of Kanine's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood77Bright
Groove73
Acoustic0
Instrumental56
Live7
Speech14

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Warface in?

Warface by Kanine is in D♭ major, or 3B on the Camelot wheel.

What BPM is Warface?

Warface runs at 175 BPM.

What mixes well with Warface?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Warface good for peak time?

With energy 97 out of 100 at 175 BPM, it works best as a floor-filler.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#TrackKey·BPM

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 175 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 175 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Kanine

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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