Again
- BPM
- 135
- Open Key
- 8d
- Energy
- 97/100
- Pop
- 5/100
- Length
- 3:52
- Released
- 2021
- Genre
- Drum N Bass
- Loudness
- -3.0 dB
- ISRC
- FRX452142515
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 135 BPM in D♭ major (3B), Again is a driving up-tempo drum n bass production. It reads as dark and driving. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master is loud and heavily compressed. Less groove-driven than 97% of Kanine's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 79% of Kanine's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Again in?
Again by Kanine is in D♭ major, or 3B on the Camelot wheel.
What BPM is Again?
Again runs at 135 BPM, a driving up-tempo track.
What mixes well with Again?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Again good for peak time?
With energy 97 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 135 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More drum n bass
More from Kanine
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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