Singularity - Radio Edit
30s preview
- Key
- 9A · E minor
- BPM
- 122
- Open Key
- 2m
- Energy
- 87/100
- Pop
- 8/100
- Length
- 4:30
- Released
- 2020
- Album
- Singularity
- Genre
- Progressive House
- Label
- Freegrant Music
- Loudness
- -8.0 dB
- Dynamics
- 13.4 dB
- ISRC
- GBKQU2041694
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Singularityoriginal9A · 122
Against the original (9A at 122 BPM), this version holds the same tempo in the same key.
Singularity - Radio Edit is a club-tempo progressive house track in E minor (9A) at 122 BPM. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 13 dB). More treble-tilted than 91% of Kamilo Sanclemente's catalogue.
- Reach:
- better known than 82% of Kamilo Sanclemente's catalogue
- Tempo:
- slower than 77% of Kamilo Sanclemente's catalogue
- Groove:
- less groove-driven than 76% of Kamilo Sanclemente's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Singularity - Radio Edit in?
Singularity - Radio Edit by Kamilo Sanclemente is in E minor, or 9A on the Camelot wheel.
What BPM is Singularity - Radio Edit?
Singularity - Radio Edit runs at 122 BPM, a club-tempo track.
What mixes well with Singularity - Radio Edit?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Singularity - Radio Edit good for peak time?
With energy 87 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 122 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Kamilo Sanclemente
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
