Stuck on a Feeling
30s preview
- Key
- 4A · F minor
- BPM
- 122
- Open Key
- 9m
- Energy
- 87/100
- Pop
- 1/100
- Length
- 7:30
- Released
- 2022
- Album
- Circles
- Genre
- Progressive House
- Label
- Meanwhile
- Loudness
- -8.9 dB
- Dynamics
- 12.5 dB
- ISRC
- US83Z2214387
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
At 122 BPM in F minor (4A), Stuck on a Feeling is a club-tempo progressive house production. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Darker than 82% of Jamie Stevens's catalogue. In a set it works best as a floor-filler.
- Low end:
- more treble-tilted than 82% of Jamie Stevens's catalogue
- Energy:
- hotter than 78% of Jamie Stevens's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Stuck on a Feeling in?
Stuck on a Feeling by Jamie Stevens is in F minor, or 4A on the Camelot wheel.
What BPM is Stuck on a Feeling?
Stuck on a Feeling runs at 122 BPM, a club-tempo track.
What mixes well with Stuck on a Feeling?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Stuck on a Feeling good for peak time?
With energy 87 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 122 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Jamie Stevens
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
