Kryptonite - Nivek Tsoy Remix by Roy Rosenfeld cover art

Kryptonite - Nivek Tsoy Remix

Roy Rosenfeld

30s preview

Key
10B · D major
BPM
122
Open Key
3d
Energy
87/100
Pop
0/100
Length
8:04
Released
2011
Album
Kryptonite
Genre
Progressive House
Loudness
-7.8 dB
Dynamics
14.3 dB
ISRC
USAQN1143002

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (9B at 124 BPM), this version runs 2 BPM slower and moves the key from 9B to 10B.

At 122 BPM in D major (10B), Kryptonite - Nivek Tsoy Remix is a club-tempo progressive house production. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2011 production that still circulates in sets. More underground than 99% of Roy Rosenfeld's catalogue. For programming, treat it as a floor-filler.

Groove:
less groove-driven than 90% of Roy Rosenfeld's catalogue
Energy:
hotter than 80% of Roy Rosenfeld's catalogue
Tempo:
slower than 80% of Roy Rosenfeld's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood36Balanced
Groove72
Acoustic0
Instrumental72
Live6
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Kryptonite - Nivek Tsoy Remix in?

Kryptonite - Nivek Tsoy Remix by Roy Rosenfeld is in D major, or 10B on the Camelot wheel.

What BPM is Kryptonite - Nivek Tsoy Remix?

Kryptonite - Nivek Tsoy Remix runs at 122 BPM, a club-tempo track.

What mixes well with Kryptonite - Nivek Tsoy Remix?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Kryptonite - Nivek Tsoy Remix good for peak time?

With energy 87 out of 100 at 122 BPM, it works best as a floor-filler.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 122 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More progressive house

More from Roy Rosenfeld

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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