Nowhere To Run
30s preview
- Key
- 8A · A minor
- BPM
- 122
- Open Key
- 1m
- Energy
- 86/100
- Pop
- 13/100
- Length
- 7:57
- Released
- 2022
- Genre
- Progressive House
- Label
- Freegrant Music
- Loudness
- -8.7 dB
- Dynamics
- 13.6 dB
- ISRC
- GBLV62132673
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Nowhere To Run - Radio Editversion9B · 122
A club-tempo progressive house cut, Nowhere To Run sits in A minor (8A) at 122 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 14 dB). More treble-tilted than 98% of Kamilo Sanclemente's catalogue.
- Reach:
- better known than 88% of Kamilo Sanclemente's catalogue
- Brightness:
- darker than 82% of Kamilo Sanclemente's catalogue
- Tempo:
- slower than 77% of Kamilo Sanclemente's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 21%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Nowhere To Run in?
Nowhere To Run by Kamilo Sanclemente is in A minor, or 8A on the Camelot wheel.
What BPM is Nowhere To Run?
Nowhere To Run runs at 122 BPM, a club-tempo track.
What mixes well with Nowhere To Run?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Nowhere To Run good for peak time?
With energy 86 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 122 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Kamilo Sanclemente
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
