Back In The Taxi - AMÉMÉ Remix
30s preview
- Key
- 9A · E minor
- BPM
- 122
- Open Key
- 2m
- Energy
- 85/100
- Pop
- 20/100
- Length
- 4:14
- Released
- 2022
- Album
- Back In The Taxi (AMÉMÉ Remix)
- Genre
- Deep House
- Loudness
- -8.2 dB
- Dynamics
- 10.6 dB
- ISRC
- NLF712201642
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Back In The Taxi - AMÉMÉ Midnight Remixremix10A · 123
- Back in the Taxioriginal10A · 123
- Back in the Taxi - Lexer Remixremix12B · 122
Against the original (10A at 123 BPM), this version runs 1 BPM slower and moves the key from 10A to 9A.
A club-tempo deep house cut, Back In The Taxi - AMÉMÉ Remix sits in E minor (9A) at 122 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 88% of Jan Blomqvist's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 84% of Jan Blomqvist's catalogue
- Tempo:
- slower than 78% of Jan Blomqvist's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Back In The Taxi - AMÉMÉ Remix in?
Back In The Taxi - AMÉMÉ Remix by Jan Blomqvist is in E minor, or 9A on the Camelot wheel.
What BPM is Back In The Taxi - AMÉMÉ Remix?
Back In The Taxi - AMÉMÉ Remix runs at 122 BPM, a club-tempo track.
What mixes well with Back In The Taxi - AMÉMÉ Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Back In The Taxi - AMÉMÉ Remix good for peak time?
With energy 85 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 122 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More deep house
More from Jan Blomqvist
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
