Late Night Talking - Just Emma's 6AM Mix
30s preview
- BPM
- 122
- Open Key
- 3d
- Energy
- 49/100
- Pop
- 9/100
- Length
- 5:52
- Released
- 2025
- Album
- Late Night Talking
- Genre
- Tech House
- Loudness
- -8.6 dB
- Dynamics
- 11.4 dB
- ISRC
- DEPQ62501604
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Late Night Talking - Just Emma's 6AM Mix: club-tempo tech house, D major (10B), 122 BPM. The feel is bright and easy. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Brighter than 96% of Just Emma's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 80% of Just Emma's catalogue
- Tempo:
- faster than 76% of Just Emma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Late Night Talking - Just Emma's 6AM Mix in?
Late Night Talking - Just Emma's 6AM Mix by Just Emma is in D major, or 10B on the Camelot wheel.
What BPM is Late Night Talking - Just Emma's 6AM Mix?
Late Night Talking - Just Emma's 6AM Mix runs at 122 BPM, a club-tempo track.
What mixes well with Late Night Talking - Just Emma's 6AM Mix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Late Night Talking - Just Emma's 6AM Mix good for peak time?
With energy 49 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 122 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More tech house
More from Just Emma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
