Progression by Josh Wink cover art

Progression

Josh Wink

Key
4A · F minor
BPM
124
Open Key
9m
Energy
71/100
Pop
6/100
Length
10:18
Released
2026
Genre
Acid
Loudness
-11.2 dB
ISRC
US23A8219007

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 124 BPM in F minor (4A), Progression is a club-tempo acid production. The feel is dark and driving. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Darker than 97% of Josh Wink's catalogue. In a set it works best as a mid-set roller.

Groove:
less groove-driven than 92% of Josh Wink's catalogue
Reach:
better known than 78% of Josh Wink's catalogue
Tempo:
slower than 76% of Josh Wink's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy71
Mood7Dark
Groove44
Acoustic48
Instrumental75
Live8
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Progression in?

Progression by Josh Wink is in F minor, or 4A on the Camelot wheel.

What BPM is Progression?

Progression runs at 124 BPM, a club-tempo track.

What mixes well with Progression?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Progression good for peak time?

With energy 71 out of 100 at 124 BPM, it works best as a mid-set roller.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 124 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More acid

More from Josh Wink

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track