Fury - pølaroit Remix
30s preview
- BPM
- 120
- Open Key
- 8m
- Energy
- 75/100
- Pop
- 14/100
- Length
- 5:05
- Released
- 2022
- Album
- Fury (pølaroit Remix)
- Genre
- Tech House
- Label
- Labo T.
- Loudness
- -9.4 dB
- Dynamics
- 11.8 dB
- ISRC
- FR9W12219457
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Furyoriginal2A · 124
Against the original (2A at 124 BPM), this version runs 4 BPM slower and moves the key from 2A to 3A.
Fury - pølaroit Remix: club-tempo tech house, B♭ minor (3A), 120 BPM. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Darker than 95% of Joris Delacroix's catalogue.
- Tempo:
- slower than 82% of Joris Delacroix's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Fury - pølaroit Remix in?
Fury - pølaroit Remix by Joris Delacroix is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Fury - pølaroit Remix?
Fury - pølaroit Remix runs at 120 BPM, a club-tempo track.
What mixes well with Fury - pølaroit Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Fury - pølaroit Remix good for peak time?
With energy 75 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 120 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Joris Delacroix
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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