The Bailout (original mix edit) by John O'Callaghan cover art

The Bailout (original mix edit)

John O'Callaghan

Key
6B · B♭ major
BPM
140
Half-time
70
Open Key
11d
Energy
98/100
Pop
0/100
Length
7:35
Released
2011
Genre
Trance
Loudness
-8.6 dB
ISRC
NLF711103590

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

The Bailout (original mix edit) is a driving up-tempo trance track in B♭ major (6B) at 140 BPM. It reads as punchy, neutral in mood. The groove is loose and less beat-driven. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. More underground than 99% of John O'Callaghan's catalogue. In a set it works best as a peak-time weapon.

Groove:
less groove-driven than 96% of John O'Callaghan's catalogue
Brightness:
brighter than 77% of John O'Callaghan's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood42Balanced
Groove28
Acoustic0
Instrumental94
Live7
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is The Bailout (original mix edit) in?

The Bailout (original mix edit) by John O'Callaghan is in B♭ major, or 6B on the Camelot wheel.

What BPM is The Bailout (original mix edit)?

The Bailout (original mix edit) runs at 140 BPM, a driving up-tempo track.

What mixes well with The Bailout (original mix edit)?

From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.

Is The Bailout (original mix edit) good for peak time?

With energy 98 out of 100 at 140 BPM, it works best as a peak-time weapon.

Mixes harmonically

6B5B · 7B · 6A

From 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.

Every move from 6B

7BSimple Mix Upper
5BSimple Mix Downer
6ATonal Shift·
7ADiagonal Mix Upper
5ADiagonal Mix Downer
9ACompatible Tone·
8BHigh Energy Boost▲▲▲
4BHigh Energy Drain▼▼▼
9BParallel Key Upper▲▲
3BParallel Key Downer▼▼
1BTritone Jump▲▲
10BRelated Keyrisky

How to mix it

In 6B at 140 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 98/100).

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

More trance

More from John O'Callaghan

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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