Tunnelend - John Digweed & Nick Muir Remix
30s preview
- BPM
- 105
- Open Key
- 7m
- Energy
- 93/100
- Pop
- 1/100
- Length
- 3:17
- Released
- 2022
- Album
- Tunnelend
- Genre
- House
- Loudness
- -6.1 dB
- Dynamics
- 14.3 dB
- ISRC
- GBKQU2227307
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Tunnelend - John Digweed & Nick Muir Beatless Remixremix2A · 105
Tunnelend - John Digweed & Nick Muir Remix: mid-tempo house, E♭ minor (2A), 105 BPM. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 14 dB). Slower than 93% of John Digweed's catalogue.
- Low end:
- more treble-tilted than 92% of John Digweed's catalogue
- Groove:
- less groove-driven than 86% of John Digweed's catalogue
- Energy:
- hotter than 85% of John Digweed's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Tunnelend - John Digweed & Nick Muir Remix in?
Tunnelend - John Digweed & Nick Muir Remix by John Digweed is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Tunnelend - John Digweed & Nick Muir Remix?
Tunnelend - John Digweed & Nick Muir Remix runs at 105 BPM, a mid-tempo track.
What mixes well with Tunnelend - John Digweed & Nick Muir Remix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Tunnelend - John Digweed & Nick Muir Remix good for peak time?
With energy 93 out of 100 at 105 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 105 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 99-111 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 105 — beatmatch without a big tempo pull.
More house
More from John Digweed
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 105 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
