Sweetest Thing
30s preview
- Key
- 8A · A minor
- BPM
- 125
- Open Key
- 1m
- Energy
- 89/100
- Pop
- 2/100
- Length
- 6:43
- Released
- 2024
- Genre
- Deep House
- Label
- Anjunadeep
- Loudness
- -5.3 dB
- Dynamics
- 11.0 dB
- ISRC
- GBEWA2504983
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sweetest Thingoriginal9B · 124
- Sweetest Thing - Extended Mixversion9B · 124
- Sweetest Thing - Marsh Remixremix7A · 125
- Sweetest Thing - Chill Mixoriginal7A · 124
Sweetest Thing runs 125 BPM in A minor (8A), a club-tempo deep house record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Hotter than 87% of Jody Wisternoff's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 86% of Jody Wisternoff's catalogue
- Brightness:
- brighter than 79% of Jody Wisternoff's catalogue
- Reach:
- more underground than 77% of Jody Wisternoff's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Sweetest Thing in?
Sweetest Thing by Jody Wisternoff is in A minor, or 8A on the Camelot wheel.
What BPM is Sweetest Thing?
Sweetest Thing runs at 125 BPM, a club-tempo track.
What mixes well with Sweetest Thing?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Sweetest Thing good for peak time?
With energy 89 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 125 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More deep house
More from Jody Wisternoff
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
