Thrill Me - Steve Haines Remix
30s preview
- Key
- 8A · A minor
- BPM
- 128
- Open Key
- 1m
- Energy
- 92/100
- Pop
- 0/100
- Length
- 6:39
- Released
- 2013
- Album
- Thrill Me (Remixes) part 2
- Genre
- Progressive House
- Loudness
- -8.2 dB
- Dynamics
- 10.7 dB
- ISRC
- GBKQU1387473
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Thrill Me - Marsbeing Remixremix3A · 180
- Thrill Me - Slow Fish Remixremix4A · 122
- Thrill Me - Max Meyer Remixremix3B · 126
- Thrill Me - Future Disciple Remixremix4A · 128
- Thrill Me - Hayley Parsons Remixremix4A · 128
- Thrill Me - LTN Remixremix4A · 130
Thrill Me - Steve Haines Remix is a peak-time tempo progressive house track in A minor (8A) at 128 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. More underground than 99% of Jerome Isma-Ae's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 90% of Jerome Isma-Ae's catalogue
- Energy:
- hotter than 79% of Jerome Isma-Ae's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Thrill Me - Steve Haines Remix in?
Thrill Me - Steve Haines Remix by Jerome Isma-Ae is in A minor, or 8A on the Camelot wheel.
What BPM is Thrill Me - Steve Haines Remix?
Thrill Me - Steve Haines Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Thrill Me - Steve Haines Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Thrill Me - Steve Haines Remix good for peak time?
With energy 92 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
![Don't You Want Me [edit] by Eli Brown cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/98cbdcea7411d12e32e4.webp){kind=small}
How to mix it
In 8A at 128 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive house
More from Jerome Isma-Ae
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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