Hold That Sucker Down - Extended Vocal Mix
- Key
- 9A · E minor
- BPM
- 130
- Open Key
- 2m
- Energy
- 71/100
- Pop
- 4/100
- Length
- 8:04
- Released
- 2010
- Album
- Hold That Sucker Down (The Vocal Mixes)
- Genre
- Progressive House
- Loudness
- -8.4 dB
- ISRC
- NLF711000194
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hold That Sucker Down - Charlotte de Witte Trance Remix Editremix10A · 133
- Hold That Sucker Down - Jerome Isma-Ae's 10 Year Anniversary Mixoriginal9A · 128
- Hold That Sucker Down (Sick Individuals vocal mix)original9B · 133
- Hold That Sucker Down - Vocal Mixoriginal9A · 130
- Hold That Sucker Down - Charlotte de Witte Rave Remix Editremix9B · 135
- Hold That Sucker Down - Charlotte de Witte Rave Remixremix9B · 135
Against the original (9A at 128 BPM), this version runs 2 BPM faster in the same key.
Hold That Sucker Down - Extended Vocal Mix is a peak-time tempo progressive house track in E minor (9A) at 130 BPM. The feel is dark and driving. A 2010 production that still circulates in sets. Less groove-driven than 95% of Jerome Isma-Ae's catalogue.
- Tempo:
- faster than 91% of Jerome Isma-Ae's catalogue
- Energy:
- calmer than 82% of Jerome Isma-Ae's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Hold That Sucker Down - Extended Vocal Mix in?
Hold That Sucker Down - Extended Vocal Mix by Jerome Isma-Ae is in E minor, or 9A on the Camelot wheel.
What BPM is Hold That Sucker Down - Extended Vocal Mix?
Hold That Sucker Down - Extended Vocal Mix runs at 130 BPM, a peak-time tempo track.
What mixes well with Hold That Sucker Down - Extended Vocal Mix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Hold That Sucker Down - Extended Vocal Mix good for peak time?
With energy 71 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 130 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More progressive house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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