Airsteala (Dirty South Remix) by Jeremy Olander cover art

Airsteala (Dirty South Remix)

Jeremy Olander

Key
8B · C major
BPM
125
Open Key
1d
Energy
45/100
Pop
2/100
Length
6:16
Released
2012
Album
Airsteala
Genre
Progressive House
Label
Phazing Records
Loudness
-9.5 dB
ISRC
TCABD1235174

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (9B at 125 BPM), this version holds the same tempo and moves the key from 9B to 8B.

Airsteala (Dirty South Remix) runs 125 BPM in C major (8B), a club-tempo progressive house record. Tonally it lands balanced in mood. The mix is almost entirely instrumental. A 2012 production that still circulates in sets. Calmer than 96% of Jeremy Olander's catalogue. In a set it works best as a mid-set roller.

Brightness:
brighter than 79% of Jeremy Olander's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy45
Mood48Balanced
Groove72
Acoustic0
Instrumental92
Live7
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Airsteala (Dirty South Remix) in?

Airsteala (Dirty South Remix) by Jeremy Olander is in C major, or 8B on the Camelot wheel.

What BPM is Airsteala (Dirty South Remix)?

Airsteala (Dirty South Remix) runs at 125 BPM, a club-tempo track.

What mixes well with Airsteala (Dirty South Remix)?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Airsteala (Dirty South Remix) good for peak time?

With energy 45 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 125 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More progressive house

More from Jeremy Olander

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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