The 16th Floor - Original Mix
30s preview
- BPM
- 125
- Open Key
- 8m
- Energy
- 45/100
- Pop
- 0/100
- Length
- 5:54
- Released
- 2015
- Album
- Siberian Express EP
- Genre
- Tech House
- Loudness
- -10.0 dB
- Dynamics
- 10.9 dB
- ISRC
- GBK6Y1567003
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The 16th Floororiginal3A · 125
The 16th Floor - Original Mix is a club-tempo tech house track in B♭ minor (3A) at 125 BPM. The feel is dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2015 production that still circulates in sets. More underground than 99% of Jamie Jones's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Low end:
- more bass-heavy than 97% of Jamie Jones's catalogue
- Groove:
- groovier than 96% of Jamie Jones's catalogue
- Energy:
- calmer than 89% of Jamie Jones's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 53%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 13%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is The 16th Floor - Original Mix in?
The 16th Floor - Original Mix by Jamie Jones is in B♭ minor, or 3A on the Camelot wheel.
What BPM is The 16th Floor - Original Mix?
The 16th Floor - Original Mix runs at 125 BPM, a club-tempo track.
What mixes well with The 16th Floor - Original Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is The 16th Floor - Original Mix good for peak time?
With energy 45 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Jamie Jones
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
