Lost Memory
30s preview
- Key
- 1B · B major
- BPM
- 125
- Open Key
- 6d
- Energy
- 46/100
- Pop
- 47/100
- Length
- 7:43
- Released
- 2008
- Genre
- Techno
- Label
- Harthouse Digital
- Loudness
- -11.5 dB
- Dynamics
- 9.6 dB
- ISRC
- DEAZ30805308
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lost Memory - Remasteredoriginal1B · 125
Lost Memory is a club-tempo techno track in B major (1B) at 125 BPM. The feel is dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2008 production that still circulates in sets. Slower than 99% of Boris Brejcha's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 96% of Boris Brejcha's catalogue
- Groove:
- groovier than 95% of Boris Brejcha's catalogue
- Reach:
- better known than 93% of Boris Brejcha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Lost Memory in?
Lost Memory by Boris Brejcha is in B major, or 1B on the Camelot wheel.
What BPM is Lost Memory?
Lost Memory runs at 125 BPM, a club-tempo track.
What mixes well with Lost Memory?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Lost Memory good for peak time?
With energy 46 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 125 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Boris Brejcha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
