Tonite - Original Mix
30s preview
- BPM
- 127
- Open Key
- 3m
- Energy
- 71/100
- Pop
- 3/100
- Length
- 6:22
- Released
- 2011
- Album
- Tonite EP
- Genre
- House
- Loudness
- -8.4 dB
- Dynamics
- 13.9 dB
- ISRC
- USX8U1101720
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Tonite - Nonfiction Remixremix9A · 127
At 127 BPM in B minor (10A), Tonite - Original Mix is a peak-time tempo house production. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2011 production that still circulates in sets. Faster than 79% of Honey Dijon's catalogue. For programming, treat it as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Tonite - Original Mix in?
Tonite - Original Mix by Honey Dijon is in B minor, or 10A on the Camelot wheel.
What BPM is Tonite - Original Mix?
Tonite - Original Mix runs at 127 BPM, a peak-time tempo track.
What mixes well with Tonite - Original Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Tonite - Original Mix good for peak time?
With energy 71 out of 100 at 127 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 127 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Honey Dijon
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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