Personal Slave by Honey Dijon cover art

Personal Slave

Honey Dijon

30s preview

Key
10A · B minor
BPM
123
Open Key
3m
Energy
51/100
Pop
1/100
Length
3:41
Released
2017
Genre
House
Loudness
-8.8 dB
Dynamics
10.4 dB
ISRC
GBCPZ1711897

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 123 BPM in B minor (10A), Personal Slave is a club-tempo house production. The feel is balanced in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. Calmer than 95% of Honey Dijon's catalogue. In a set it works best as a mid-set roller.

Low end:
more bass-heavy than 95% of Honey Dijon's catalogue
Tempo:
slower than 86% of Honey Dijon's catalogue
Groove:
groovier than 85% of Honey Dijon's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy51
Mood41Balanced
Groove86
Acoustic0
Instrumental3
Live21
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Personal Slave in?

Personal Slave by Honey Dijon is in B minor, or 10A on the Camelot wheel.

What BPM is Personal Slave?

Personal Slave runs at 123 BPM, a club-tempo track.

What mixes well with Personal Slave?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Personal Slave good for peak time?

With energy 51 out of 100 at 123 BPM, it works best as a mid-set roller.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 123 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

More from Honey Dijon

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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