Dual EP B1 - Honey Dijon Re Rub
30s preview
- BPM
- 130
- Open Key
- 8m
- Energy
- 94/100
- Pop
- 4/100
- Length
- 6:09
- Released
- 2021
- Album
- Dual Ep B1 (Honey Dijon Re Rub)
- Genre
- House
- Loudness
- -8.3 dB
- Dynamics
- 11.9 dB
- ISRC
- ITMVX2000236
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo house cut, Dual EP B1 - Honey Dijon Re Rub sits in B♭ minor (3A) at 130 BPM. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Faster than 97% of Honey Dijon's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 96% of Honey Dijon's catalogue
- Low end:
- more bass-heavy than 88% of Honey Dijon's catalogue
- Brightness:
- darker than 77% of Honey Dijon's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Dual EP B1 - Honey Dijon Re Rub in?
Dual EP B1 - Honey Dijon Re Rub by Honey Dijon is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Dual EP B1 - Honey Dijon Re Rub?
Dual EP B1 - Honey Dijon Re Rub runs at 130 BPM, a peak-time tempo track.
What mixes well with Dual EP B1 - Honey Dijon Re Rub?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Dual EP B1 - Honey Dijon Re Rub good for peak time?
With energy 94 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 130 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More house
More from Honey Dijon
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.