Dropout by Harvey McKay cover art

30s preview

Key
3B · D♭ major
BPM
126
Open Key
8d
Energy
96/100
Pop
0/100
Length
5:55
Released
2016
Genre
Techno
Loudness
-8.5 dB
Dynamics
8.8 dB
ISRC
QMFMF1525737

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Dropout is a club-tempo techno track in D♭ major (3B) at 126 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. More underground than 99% of Harvey McKay's catalogue. For programming, treat it as a peak-time weapon.

Energy:
hotter than 94% of Harvey McKay's catalogue
Groove:
less groove-driven than 87% of Harvey McKay's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood15Dark
Groove65
Acoustic0
Instrumental89
Live7
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Dropout in?

Dropout by Harvey McKay is in D♭ major, or 3B on the Camelot wheel.

What BPM is Dropout?

Dropout runs at 126 BPM, a club-tempo track.

What mixes well with Dropout?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Dropout good for peak time?

With energy 96 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#Track

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 96/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More techno

More from Harvey McKay

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track