Our Foggy Trips - Robert Babicz Remix
30s preview
- Key
- 1B · B major
- BPM
- 123
- Open Key
- 6d
- Energy
- 67/100
- Pop
- 3/100
- Length
- 8:27
- Released
- 2015
- Album
- Time Remixes
- Genre
- Progressive House
- Label
- Lost & Found
- Loudness
- -10.3 dB
- Dynamics
- 10.4 dB
- ISRC
- BEN581500439
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Our Foggy Tripsoriginal11A · 123
Against the original (11A at 123 BPM), this version holds the same tempo and moves the key from 11A to 1B.
Our Foggy Trips - Robert Babicz Remix runs 123 BPM in B major (1B), a club-tempo progressive house record. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. For programming, treat it as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Our Foggy Trips - Robert Babicz Remix in?
Our Foggy Trips - Robert Babicz Remix by Guy Mantzur is in B major, or 1B on the Camelot wheel.
What BPM is Our Foggy Trips - Robert Babicz Remix?
Our Foggy Trips - Robert Babicz Remix runs at 123 BPM, a club-tempo track.
What mixes well with Our Foggy Trips - Robert Babicz Remix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Our Foggy Trips - Robert Babicz Remix good for peak time?
With energy 67 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 123 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More progressive house
More from Guy Mantzur
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
