Should Have Seen It Coming - Yotto Remix
- BPM
- 123
- Open Key
- 7m
- Energy
- 67/100
- Pop
- 27/100
- Length
- 4:41
- Released
- 2021
- Album
- Should Have Seen It Coming (Yotto Remix)
- Genre
- Deep House
- Label
- Anjunadeep
- Loudness
- -7.7 dB
- ISRC
- GBEWA2103720
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Should Have Seen It Coming (Extended Mix)version2A · 120
- Should Have Seen It Coming - Yotto Extended Mixversion2A · 123
- Should Have Seen It Coming (Official Music Video)original2A · 120
Against the original (2A at 120 BPM), this version runs 3 BPM faster in the same key.
At 123 BPM in E♭ minor (2A), Should Have Seen It Coming - Yotto Remix is a club-tempo deep house production. The feel is dark and driving. Calmer than 87% of Franky Wah's catalogue. In a set it works best as a mid-set roller.
- Reach:
- better known than 85% of Franky Wah's catalogue
- Brightness:
- darker than 83% of Franky Wah's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Should Have Seen It Coming - Yotto Remix in?
Should Have Seen It Coming - Yotto Remix by Franky Wah is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Should Have Seen It Coming - Yotto Remix?
Should Have Seen It Coming - Yotto Remix runs at 123 BPM, a club-tempo track.
What mixes well with Should Have Seen It Coming - Yotto Remix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Should Have Seen It Coming - Yotto Remix good for peak time?
With energy 67 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 123 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More deep house
More from Franky Wah
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
