Headless Stride
- BPM
- 123
- Open Key
- 3d
- Energy
- 67/100
- Pop
- 0/100
- Length
- 8:21
- Released
- 2016
- Genre
- Tech House
- Loudness
- -13.1 dB
- ISRC
- GBENT0140542
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 123 BPM in D major (10B), Headless Stride is a club-tempo tech house production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More underground than 99% of Tim Green's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 85% of Tim Green's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Headless Stride in?
Headless Stride by Tim Green is in D major, or 10B on the Camelot wheel.
What BPM is Headless Stride?
Headless Stride runs at 123 BPM, a club-tempo track.
What mixes well with Headless Stride?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Headless Stride good for peak time?
With energy 67 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 123 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Tim Green
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
