Easy As Can Be
30s preview
- BPM
- 123
- Open Key
- 8m
- Energy
- 41/100
- Pop
- 2/100
- Length
- 7:17
- Released
- 2011
- Album
- Heliscope EP
- Genre
- Progressive House
- Label
- Bedrock Records
- Loudness
- -13.1 dB
- Dynamics
- 13.6 dB
- ISRC
- GBEPM1000257
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Easy As Can Beoriginal3A · 123
- Easy as Can Be (Tom Middleton Liquatech mix)original3A · 126
- Easy As Can Be (Tom Middleton Liquatech Mix)original3A · 126
Easy As Can Be: club-tempo progressive house, B♭ minor (3A), 123 BPM. The feel is dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2011 production that still circulates in sets. Calmer than 88% of Guy J's catalogue. For programming, treat it as a warm-up or breakdown cut.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Easy As Can Be in?
Easy As Can Be by Guy J is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Easy As Can Be?
Easy As Can Be runs at 123 BPM, a club-tempo track.
What mixes well with Easy As Can Be?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Easy As Can Be good for peak time?
With energy 41 out of 100 at 123 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 123 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More progressive house
More from Guy J
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
