Everytime - Mia Dora Remix
30s preview
- BPM
- 120
- Open Key
- 4d
- Energy
- 89/100
- Pop
- 0/100
- Length
- 7:03
- Released
- 2021
- Album
- Human Touch (Remix)
- Genre
- Progressive House
- Loudness
- -5.2 dB
- Dynamics
- 15.6 dB
- ISRC
- GBC4T2021327
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Everytimeoriginal8A · 125
- Everytime - Andre Crom Remixremix10A · 122
- Everytime - Ejeca Sunset Mixoriginal1A · 117
- Everytime - Extended Mixversion8A · 125
- Everytimeoriginal8A · 125
- Everytime - Andre Crom Remixremix10A · 122
Against the original (8A at 125 BPM), this version runs 5 BPM slower and moves the key from 8A to 11B.
Everytime - Mia Dora Remix is a club-tempo progressive house track in A major (11B) at 120 BPM. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 16 dB). More underground than 99% of Grum's catalogue. For programming, treat it as a floor-filler.
- Groove:
- groovier than 94% of Grum's catalogue
- Tempo:
- slower than 93% of Grum's catalogue
- Energy:
- hotter than 80% of Grum's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Everytime - Mia Dora Remix in?
Everytime - Mia Dora Remix by Grum is in A major, or 11B on the Camelot wheel.
What BPM is Everytime - Mia Dora Remix?
Everytime - Mia Dora Remix runs at 120 BPM, a club-tempo track.
What mixes well with Everytime - Mia Dora Remix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Everytime - Mia Dora Remix good for peak time?
With energy 89 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 120 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More progressive house
More from Grum
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
