The Way to Go - Jay Vegas Remix
- Key
- 9A · E minor
- BPM
- 123
- Open Key
- 2m
- Energy
- 68/100
- Pop
- 2/100
- Length
- 6:00
- Released
- 2015
- Album
- The Way to Go (Jay Vegas Remix)
- Genre
- House
- Loudness
- -8.8 dB
- ISRC
- USZ9A1531301
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Way To Go - Gene Farrisoriginal11B · 123
Against the original (11B at 123 BPM), this version holds the same tempo and moves the key from 11B to 9A.
At 123 BPM in E minor (9A), The Way to Go - Jay Vegas Remix is a club-tempo house production. The feel is bright and euphoric. The groove is strong and floor-ready. A 2015 production that still circulates in sets. Slower than 89% of Gene Farris's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 78% of Gene Farris's catalogue
- Groove:
- less groove-driven than 76% of Gene Farris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Way to Go - Jay Vegas Remix in?
The Way to Go - Jay Vegas Remix by Gene Farris is in E minor, or 9A on the Camelot wheel.
What BPM is The Way to Go - Jay Vegas Remix?
The Way to Go - Jay Vegas Remix runs at 123 BPM, a club-tempo track.
What mixes well with The Way to Go - Jay Vegas Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is The Way to Go - Jay Vegas Remix good for peak time?
With energy 68 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 123 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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