Angels Are Watching Me - Radio Edit by Louie Vega cover art

Angels Are Watching Me - Radio Edit

Louie Vega

30s preview

Key
3A · B♭ minor
BPM
123
Open Key
8m
Energy
68/100
Pop
16/100
Length
4:18
Released
2013
Album
Angels Are Watching Me
Genre
House
Loudness
-11.1 dB
Dynamics
14.0 dB
ISRC
US4DK0401033

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3B at 123 BPM), this version holds the same tempo and moves the key from 3B to 3A.

At 123 BPM in B♭ minor (3A), Angels Are Watching Me - Radio Edit is a club-tempo house production. It reads as punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2013 production that still circulates in sets. Better known than 90% of Louie Vega's catalogue. For programming, treat it as a mid-set roller.

Groove:
less groove-driven than 82% of Louie Vega's catalogue
Tempo:
slower than 80% of Louie Vega's catalogue
Low end:
more treble-tilted than 79% of Louie Vega's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy68
Mood55Balanced
Groove71
Acoustic3
Instrumental0
Live8
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Angels Are Watching Me - Radio Edit in?

Angels Are Watching Me - Radio Edit by Louie Vega is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Angels Are Watching Me - Radio Edit?

Angels Are Watching Me - Radio Edit runs at 123 BPM, a club-tempo track.

What mixes well with Angels Are Watching Me - Radio Edit?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Angels Are Watching Me - Radio Edit good for peak time?

With energy 68 out of 100 at 123 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 123 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

More from Louie Vega

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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