To The Full by Friction cover art

To The Full

Friction

Key
6A · G minor
BPM
174
Half-time
87
Open Key
11m
Energy
93/100
Pop
23/100
Length
4:09
Released
2022
Album
After Dark
Genre
Drum N Bass
Label
Elevate Audio
Loudness
-3.2 dB
ISRC
GBPWR2200074

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 174 BPM in G minor (6A), To The Full is a drum n bass production. Tonally it lands dark and driving. It leans atmospheric over strictly danceable. It is vocal-led. The master is loud and heavily compressed. Darker than 99% of Friction's catalogue. In a set it works best as an opener or closing-set piece.

Groove:
less groove-driven than 78% of Friction's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood4Dark
Groove42
Acoustic3
Instrumental0
Live10
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is To The Full in?

To The Full by Friction is in G minor, or 6A on the Camelot wheel.

What BPM is To The Full?

To The Full runs at 174 BPM.

What mixes well with To The Full?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is To The Full good for peak time?

With energy 93 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

#TrackKey·BPM

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 174 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Friction

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.