Girl, You'll Be A Woman Soon
30s preview
- Key
- 8B · C major
- BPM
- 136
- Open Key
- 1d
- Energy
- 82/100
- Pop
- 0/100
- Length
- 6:21
- Released
- 1995
- Genre
- Punk
- Loudness
- -9.2 dB
- Dynamics
- 14.8 dB
- ISRC
- FRX201756910
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo punk cut, Girl, You'll Be A Woman Soon sits in C major (8B) at 136 BPM. It reads as punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). A 1995 production that still circulates in sets. More underground than 99% of Friction's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 87% of Friction's catalogue
- Energy:
- calmer than 85% of Friction's catalogue
- Tempo:
- slower than 79% of Friction's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Girl, You'll Be A Woman Soon in?
Girl, You'll Be A Woman Soon by Friction is in C major, or 8B on the Camelot wheel.
What BPM is Girl, You'll Be A Woman Soon?
Girl, You'll Be A Woman Soon runs at 136 BPM, a driving up-tempo track.
What mixes well with Girl, You'll Be A Woman Soon?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Girl, You'll Be A Woman Soon good for peak time?
With energy 82 out of 100 at 136 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 136 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 136 — beatmatch without a big tempo pull.
More punk
More from Friction
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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