Melon Loco - Original Mix
30s preview
- BPM
- 145
- Half-time
- 73
- Open Key
- 8m
- Energy
- 100/100
- Pop
- 26/100
- Length
- 5:38
- Released
- 2014
- Album
- Standbite 09
- Genre
- Hard Techno
- Label
- Standbite Music
- Loudness
- -7.3 dB
- Dynamics
- 11.5 dB
- ISRC
- NLCK41400377
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Melon Loco - Original Mix runs 145 BPM in B♭ minor (3A), a driving up-tempo hard techno record. It reads as punchy, neutral in mood. The master keeps unusual dynamic range for club music (crest 12 dB). A 2014 production that still circulates in sets. Brighter than 94% of Fatima Hajji's catalogue. For programming, treat it as a high-intensity peak cut.
- Low end:
- more treble-tilted than 94% of Fatima Hajji's catalogue
- Tempo:
- faster than 86% of Fatima Hajji's catalogue
- Reach:
- better known than 84% of Fatima Hajji's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Melon Loco - Original Mix in?
Melon Loco - Original Mix by Fatima Hajji is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Melon Loco - Original Mix?
Melon Loco - Original Mix runs at 145 BPM, a driving up-tempo track.
What mixes well with Melon Loco - Original Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Melon Loco - Original Mix good for peak time?
With energy 100 out of 100 at 145 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 145 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More hard techno
More from Fatima Hajji
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
