You Look Like (Sex) - Fabich's Pooltime Remix by Fabich cover art

You Look Like (Sex) - Fabich's Pooltime Remix

Fabich

30s preview

Key
10A · B minor
BPM
120
Open Key
3m
Energy
63/100
Pop
0/100
Length
3:16
Released
2018
Album
You Look Like (Sex) [Fabich Remix]
Genre
House
Loudness
-8.0 dB
Dynamics
8.6 dB
ISRC
NLE801800225
Explicit
Yes

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

You Look Like (Sex) - Fabich's Pooltime Remix: club-tempo house, B minor (10A), 120 BPM. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. More underground than 99% of Fabich's catalogue. In a set it works best as a mid-set roller.

Brightness:
darker than 91% of Fabich's catalogue
Low end:
more bass-heavy than 91% of Fabich's catalogue
Groove:
groovier than 85% of Fabich's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy63
Mood36Balanced
Groove86
Acoustic4
Instrumental3
Live8
Speech27

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is You Look Like (Sex) - Fabich's Pooltime Remix in?

You Look Like (Sex) - Fabich's Pooltime Remix by Fabich is in B minor, or 10A on the Camelot wheel.

What BPM is You Look Like (Sex) - Fabich's Pooltime Remix?

You Look Like (Sex) - Fabich's Pooltime Remix runs at 120 BPM, a club-tempo track.

What mixes well with You Look Like (Sex) - Fabich's Pooltime Remix?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is You Look Like (Sex) - Fabich's Pooltime Remix good for peak time?

With energy 63 out of 100 at 120 BPM, it works best as a mid-set roller.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 120 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More house

More from Fabich

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track