His Presence (Trinidadian Beatup Remix)
- BPM
- 120
- Open Key
- 3m
- Energy
- 71/100
- Pop
- 0/100
- Length
- 5:52
- Released
- 2008
- Album
- His Presence
- Genre
- Deep House
- Loudness
- -6.7 dB
- ISRC
- DEZ651200267
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- His Presenceoriginal11B · 123
- His Presence (Dub Mix)version8A · 123
- His Presence (Nomumbah Remix)remix10A · 123
- His Presence (Trinidadian Deep Remix)remix3B · 120
Against the original (11B at 123 BPM), this version runs 3 BPM slower and moves the key from 11B to 10A.
His Presence (Trinidadian Beatup Remix) runs 120 BPM in B minor (10A), a club-tempo deep house record. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. A 2008 production that still circulates in sets. More underground than 99% of Ezel's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 96% of Ezel's catalogue
- Groove:
- groovier than 88% of Ezel's catalogue
- Brightness:
- darker than 80% of Ezel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is His Presence (Trinidadian Beatup Remix) in?
His Presence (Trinidadian Beatup Remix) by Ezel is in B minor, or 10A on the Camelot wheel.
What BPM is His Presence (Trinidadian Beatup Remix)?
His Presence (Trinidadian Beatup Remix) runs at 120 BPM, a club-tempo track.
What mixes well with His Presence (Trinidadian Beatup Remix)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is His Presence (Trinidadian Beatup Remix) good for peak time?
With energy 71 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 120 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More deep house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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