LFO I Love You 2016 - Andrea Di Rocco Remix
- BPM
- 120
- Open Key
- 3m
- Energy
- 72/100
- Pop
- 0/100
- Length
- 6:48
- Released
- 2016
- Album
- LFO I Love You 2016
- Genre
- Tech House
- Loudness
- -7.7 dB
- ISRC
- ITSU21600030
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- LFO I Love You 2016 - David Mayer Editversion3B · 120
- LFO I Love You 2016 - Nice7 Remixremix10A · 122
At 120 BPM in B minor (10A), LFO I Love You 2016 - Andrea Di Rocco Remix is a club-tempo tech house production. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2016 production that still circulates in sets. More underground than 99% of Claude VonStroke's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 98% of Claude VonStroke's catalogue
- Groove:
- groovier than 78% of Claude VonStroke's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is LFO I Love You 2016 - Andrea Di Rocco Remix in?
LFO I Love You 2016 - Andrea Di Rocco Remix by Claude VonStroke is in B minor, or 10A on the Camelot wheel.
What BPM is LFO I Love You 2016 - Andrea Di Rocco Remix?
LFO I Love You 2016 - Andrea Di Rocco Remix runs at 120 BPM, a club-tempo track.
What mixes well with LFO I Love You 2016 - Andrea Di Rocco Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is LFO I Love You 2016 - Andrea Di Rocco Remix good for peak time?
With energy 72 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 120 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Claude VonStroke
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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