Solitude
- BPM
- 120
- Open Key
- 7d
- Energy
- 72/100
- Pop
- 3/100
- Length
- 7:52
- Released
- 2017
- Genre
- Tech House
- Loudness
- -10.8 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Solitudeoriginal2B · 120
Solitude runs 120 BPM in F♯ major (2B), a club-tempo tech house record. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. Slower than 96% of Tim Engelhardt's catalogue.
- Groove:
- groovier than 92% of Tim Engelhardt's catalogue
- Brightness:
- brighter than 80% of Tim Engelhardt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Solitude in?
Solitude by Tim Engelhardt is in F♯ major, or 2B on the Camelot wheel.
What BPM is Solitude?
Solitude runs at 120 BPM, a club-tempo track.
What mixes well with Solitude?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Solitude good for peak time?
With energy 72 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 120 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Tim Engelhardt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
