Eurostars
30s preview
- Key
- 1B · B major
- BPM
- 91
- Double-time
- 182
- Open Key
- 6d
- Energy
- 25/100
- Pop
- 10/100
- Length
- 1:22
- Released
- 2018
- Genre
- Downtempo
- Loudness
- -11.3 dB
- Dynamics
- 15.2 dB
- ISRC
- FRX851801401
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Eurostars is a slow-groove tempo downtempo track in B major (1B) at 91 BPM. It reads as warm and mellow. Rhythmically it is built for the dancefloor. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2018 production that still circulates in sets. Calmer than 99% of Étienne de Crécy's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Brightness:
- brighter than 97% of Étienne de Crécy's catalogue
- Tempo:
- slower than 96% of Étienne de Crécy's catalogue
- Groove:
- groovier than 88% of Étienne de Crécy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Eurostars in?
Eurostars by Étienne de Crécy is in B major, or 1B on the Camelot wheel.
What BPM is Eurostars?
Eurostars runs at 91 BPM, a slow-groove tempo track.
What mixes well with Eurostars?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Eurostars good for peak time?
With energy 25 out of 100 at 91 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 91 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 86-96 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 91 — beatmatch without a big tempo pull.
More downtempo
More from Étienne de Crécy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 91 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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