Always
30s preview
- BPM
- 125
- Open Key
- 6m
- Energy
- 94/100
- Pop
- 5/100
- Length
- 5:23
- Released
- 2019
- Genre
- Tech House
- Label
- Toolroom Records
- Loudness
- -5.7 dB
- Dynamics
- 9.7 dB
- ISRC
- GBJAJ1901076
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Always runs 125 BPM in A♭ minor (1A), a club-tempo tech house record. It reads as bright and euphoric. The groove is strong and floor-ready. Brighter than 99% of Eli Brown's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 97% of Eli Brown's catalogue
- Tempo:
- slower than 96% of Eli Brown's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Always in?
Always by Eli Brown is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Always?
Always runs at 125 BPM, a club-tempo track.
What mixes well with Always?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Always good for peak time?
With energy 94 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 125 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Eli Brown
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
