Infinity
30s preview
- BPM
- 125
- Open Key
- 3m
- Energy
- 96/100
- Pop
- 2/100
- Length
- 6:55
- Released
- 2018
- Album
- Can I Really EP
- Genre
- Tech House
- Loudness
- -9.5 dB
- Dynamics
- 11.0 dB
- ISRC
- GBKQU1836106
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo tech house cut, Infinity sits in B minor (10A) at 125 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2018 production that still circulates in sets. Groovier than 97% of Eddy M's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- slower than 88% of Eddy M's catalogue
- Energy:
- hotter than 84% of Eddy M's catalogue
- Low end:
- more bass-heavy than 78% of Eddy M's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Infinity in?
Infinity by Eddy M is in B minor, or 10A on the Camelot wheel.
What BPM is Infinity?
Infinity runs at 125 BPM, a club-tempo track.
What mixes well with Infinity?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Infinity good for peak time?
With energy 96 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Eddy M
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
