Cada Dia - Marco Moni Remix
30s preview
- BPM
- 126
- Open Key
- 8m
- Energy
- 98/100
- Pop
- 0/100
- Length
- 7:27
- Released
- 2013
- Album
- Cada Dia
- Genre
- Tech House
- Loudness
- -6.3 dB
- Dynamics
- 11.5 dB
- ISRC
- ITE471200392
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Cada Diaoriginal9B · 125
Against the original (9B at 125 BPM), this version runs 1 BPM faster and moves the key from 9B to 3A.
Cada Dia - Marco Moni Remix runs 126 BPM in B♭ minor (3A), a club-tempo tech house record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2013 production that still circulates in sets. More underground than 99% of Eddy M's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 94% of Eddy M's catalogue
- Energy:
- hotter than 92% of Eddy M's catalogue
- Groove:
- less groove-driven than 87% of Eddy M's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Cada Dia - Marco Moni Remix in?
Cada Dia - Marco Moni Remix by Eddy M is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Cada Dia - Marco Moni Remix?
Cada Dia - Marco Moni Remix runs at 126 BPM, a club-tempo track.
What mixes well with Cada Dia - Marco Moni Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Cada Dia - Marco Moni Remix good for peak time?
With energy 98 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 126 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Eddy M
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
