Socom
- BPM
- 172
- Half-time
- 86
- Open Key
- 4m
- Energy
- 58/100
- Pop
- 4/100
- Length
- 6:54
- Released
- 2000
- Genre
- Drum N Bass
- Loudness
- -13.4 dB
- ISRC
- GBTKW0000071
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Socom: drum n bass, F♯ minor (11A), 172 BPM. The feel is balanced in mood. The master keeps real dynamic headroom. A 2000 production that still circulates in sets. Calmer than 96% of Ed Rush's catalogue.
- Groove:
- groovier than 95% of Ed Rush's catalogue
- Brightness:
- brighter than 84% of Ed Rush's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Socom in?
Socom by Ed Rush is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Socom?
Socom runs at 172 BPM.
What mixes well with Socom?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Socom good for peak time?
With energy 58 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 172 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
More from Ed Rush
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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