Echomaus (Jesse Somfay 'Xaltii' remix) by Dominik Eulberg cover art

Echomaus (Jesse Somfay 'Xaltii' remix)

Dominik Eulberg

30s preview

Key
9A · E minor
BPM
127
Open Key
2m
Energy
79/100
Pop
0/100
Length
11:20
Released
2011
Album
Diorama Remixes
Genre
Tech House
Loudness
-10.5 dB
Dynamics
10.3 dB
ISRC
DEBW21100359

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (1B at 127 BPM), this version holds the same tempo and moves the key from 1B to 9A.

At 127 BPM in E minor (9A), Echomaus (Jesse Somfay 'Xaltii' remix) is a peak-time tempo tech house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. More underground than 99% of Dominik Eulberg's catalogue.

Energy:
hotter than 88% of Dominik Eulberg's catalogue
Brightness:
darker than 86% of Dominik Eulberg's catalogue
Groove:
less groove-driven than 75% of Dominik Eulberg's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy79
Mood4Dark
Groove57
Acoustic0
Instrumental92
Live33
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Echomaus (Jesse Somfay 'Xaltii' remix) in?

Echomaus (Jesse Somfay 'Xaltii' remix) by Dominik Eulberg is in E minor, or 9A on the Camelot wheel.

What BPM is Echomaus (Jesse Somfay 'Xaltii' remix)?

Echomaus (Jesse Somfay 'Xaltii' remix) runs at 127 BPM, a peak-time tempo track.

What mixes well with Echomaus (Jesse Somfay 'Xaltii' remix)?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Echomaus (Jesse Somfay 'Xaltii' remix) good for peak time?

With energy 79 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 127 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 79/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More tech house

More from Dominik Eulberg

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track